Lit Hub – Did J.D. Salinger Wield Copyright as Self-Protection?

At long last something interesting to read..

After J.D. Salinger published his story “Hapworth 16, 1924” in The New Yorker in 1965, he decided to stop publishing his works. Although he had resigned from his nearly twenty-year-long stint in the literary spotlight, retreating to a home in Cornish, New Hampshire, and beginning a reclusive lifestyle, he assured The New York Times in a rare interview in 1974, that “publishing is a terrible invasion of my privacy. I like to write. I love to write. But I write just for myself and my own pleasure.”

Salinger’s most famous novel, The Catcher in the Rye, has sold more than 65 million copies. His self-imposed exile was hardly acceptable to many among the throngs of readers longing for his next words, and, eventually, after years devoid of Salinger’s stories, some jilted readers turned Salinger’s inexplicable silence into the contemptible, purposeful isolation of a man who believed himself above the rest, with many attempting to do whatever they could to draw him, and the unpublished works he seemed to be hoarding, back into the public eye.

When these endeavors, some of which resulted in unauthorized adaptations of both his books and his own persona, came to light, occasionally exploding into unprecedented legal battles, the ever-resisting Salinger was regarded sort of as a cantankerous ghost of an author—a once welcome houseguest rattling dusty chains at the unassuming newcomers he thought were messing around with things he left behind. Thus, Salinger’s public legacy, a gnarled mess of copyright enforcement designs, First Amendment controversies, and the persistent desire to be left alone by the press, is one of America’s most unique. Yet his belief that total ownership is not relinquished with public publication, as well as his radical enforcement of copyright law and reliance on the right to privacy, revolutionized the role of the “author” in modern culture, and consequently helped preserve both his identity and his works as masterful and mythic American originals.

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Did J.D. Salinger Wield Copyright as Self-Protection?